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Born 1971 in Montréal, Québec Canada; lives and works in Berlin



Gallery Representation






1999- 2002 Master of Fine Art, Tamarind Master Printer Training Programme,
University of New Mexico and Tamarind Institute, Albuquerque, New Mexico, U.S.A.

1996 Diploma in Graphic Design, Collège La Salle, Montréal, Québec, Canada


1994 Bachelor of Fine Arts Concordia University, Montréal, Québec, Canada

1993 Exchange semester at l’École de beaux-arts, Nîmes, France






Art Speed Dating

48 Stunden Neukölln Art Festival, Berlin





Farbwesen und Wasserfelle (solo)

Galerie JKB, Berlin


11 Jahre Keystone Editions

Verein für Original-Radierung, Munich


Lithographie - Lebensfroh

Museum für Steindruck, Wurzbach, Germany





Change, BMW Foundation, Berlin

Anniversary of German Printmaking being added to the UNESCO Intanglible Cultural Heritage Inventory
1. ‘Strom’, Karl-Hofer-Gesellschaft, Berlin
2. ‘experimentelle Lithografie’, Keystone Editions, Berlin
3. ‘deutsche Druckgrafik’, Kunsthaus Müller, Wurzbach, Thüringen, Germany





30 Jahre Kunsthaus Müller, Wurzbach, Germany





Win-Win, Tamarind Gallery, Albuquerque, New Mexico, U.S.A.





Zentralstation, Main exhibition of the 'Kunst am Spreeknie’ Festival
Rathenau-Hallen, Berlin





Kunst trifft Gesundheit
(3 Solo exhibitions over the course of the year)
AOK Nordost in Potsdam, Teltow, Neubrandenburg


Vom Vergehen - Reflektionen über die Zeitlichkeit
Galerie der Schwartzschen Villa, Berlin

IMPACT9 International Print Symposium
Chinese Academy of Art, Hangzhou, CHINA

KunstBox (solo presentation)
Depot Dortmund


Zentralstation, Main exhibition of the 'Kunst am Spreeknie’ Festival
Rathenau-Hallen, Berlin


Gallery Weekend (solo)
Galerie du bonheur, Berlin





MULTIPLIED Contemporary Print Fair
Christie’s South Kensington, London

Whispering Stones (solo)
ArtRoom Stoiber & Schott, Fürth, Germany


R.O.C. International Print Biennale
National Museum of Fine Art, Taichung, Taiwan

Northern Print Biennale
Hatton Gallery, Newcastle-Upon-Tyne, England


Zentralstation, Main exhibition of the 'Kunst am Spreeknie’ Festival

Curate by Dr. Peter Funken and Lutz Längert
Rathenau-Hallen, Berlin


Plus 1
Projektraum G59, Wilhelminenhofstr. 83-85, Berlin





UmspannZENTRALE, Main exhibition of the 'Kunst am Spreeknie’ Festival

Curated by John Power, Galerie G11
Umspannwerk Oberschöneweide, Berlin


Curated by Norbert Steigerwald, Kunstraum t27
Rathenau-Hallen, Berlin





2nd European Printmaking Symposium
Künstlerhaus am Lenbachplatz, Munich, Germany

Cuba Soli

Curated by Kathrin Günther
Short Art Projekte, Berlin


Curated by Enrico Böttcher
Produzentengalerie Boehmers, Berlin





Gallery Weekend

Curated by Rebecca Loyche
MMX Artspace, Berlin


Für Alle
ORi Gallery and Project Space, Berlin

COMM UNI CAT ION Berlin-Havana 2009-2012

Curated by Teresa Casanueva
Centro de Desarrollo de las Artes Visuales Habana, Kuba

Du siehst den Wald vor Bäumen nicht
Kuratiert von Kathrin Günther
Galerie Short Art Projekte, Berlin





7th Berliner Kunstsalon
Galerie Short Art Projekte, Alte Schlachthöfe, Berlin, Germany





Forgotten Places (solo)

Curated by Carsten Schiefer
Galerie elm75, Berlin, Germany


49 Meter Neukölln (part of 48-Std. Neukölln Festival)

Curated by Stefan Thiele
Kindl Brauerei, Berlin, Germany





Zu Hause (solo)
Die Rote Galerie, Berlin, Germany





Die Neue Kätelhön

Curated by Johanna Kätelhön
Kätelhön Kunst, Wamel am Möhnesee, Germany





5th Annual Lithography Symposium (juried group show)
Tidaholm, Sweden

New Represented Artists
Galerie Baliz, Montréal, Québec, Canada


5th Lithography Symposium
Litografiska Verkstaden, Tidaholm, Sweden





Tom Caldwell Gallery, Belfast, Northern Ireland, UK


Schrift auf der Wand
Bildungszentrum Brannenburg, Germany


Slow Food

1st European Lithography Days Symposium
Künstlerhaus am Lenbachplatz, and the Pinakothek der Moderne, Munich, Germany





Úll na hAíthne (solo)
Red Door Gallery (An Dánlann Dearg), Gaoth Dobhair, Co. Donegal, Ireland

Forbidden Fruit (solo)
Künstlerhaus am Lenbachplatz, Munich, Germany





Artists’ Books
Wexford Arts Centre, Wexford, Ireland

Obair Bheag (solo)
Red Door Gallery (An Dánlann Dearg), Gaoth Dobhair, Co. Donegal, Ireland





Donegal Artists
The Glebe Gallery, Glenveagh National Park, Co. Donegal, Ireland





Harwood Art Center, Albuquerque, New Mexico, U.S.A.





Nature and Her Elements (with Erika Adams)
Harwood Art Center, Albuquerque, New Mexico, U.S.A.





Subversive Comments (solo)
Galerie So, Montréal, Québec, Canada





Emergence (solo)
VAV Gallery, Concordia University, Montréal, Québec, Canada




2013- Around The World with 80 Grit. Exhibition with accompanying talk as part of the IMPACT 8 Symposium in Dundee, Scotland

2009- Co-founded Keystone Editions Lithography Workshop in Berlin

2008- Visiting Artist, KulturPlatz e.V. Berlin, Germany Self-directed residency (painting, nine months)

2007- Six months in South Africa collaborating with William Kentridge on a series of large-scale lithograph/collages
and printed paper sculptures.

2006-2007 Ten months in Australia working with Indigenous artists in remote outback communities.
Each workshop resulted in a series of etchings and lithographs which were exhibited in galleries and museums around Australia.

2005-2006 Six months in southern Africa at The Artists’ Press (South Africa) and the Kuru Art Project (Botswana)
producing new paintings and working on print and artist book projects with San/Bushman artists from the Kalahari Desert.

2005- Master Printer, 1st European Lithography Symposium in Munich, Germany. Collaborative project with six German
artists to produce “Slow Food” a large-format print portfolio, exhibited at the Pinakothek der Moderne Museum.


2004- Artist-in-Residence, Steindruck München Workshop
Munich, Germany
Self-directed residency (lithography, two months), created the “Schultafel” series and began the “Forbidden Fruit” series.

2003- Artist-in-Residence, Seacourt Print Workshop
Bangor, Co. Down, Northern Ireland
Self-directed residency (printmaking, one month), produced “Emotional Landscapes”, a 20-page artist’s book of
lithographs on hinged steel pages, with text on magnetic strips.

2003- Visiting Artist and Master Printer, Ballagh Studio
Malin, Co. Dhún na nGall, Ireland
Self-directed residency (printmaking, two months) experimenting with monotype on an offset press and producing
new lithographs. In capacity as Master Printer, collaborated with Ros Harvey and Tim Stampton on various
etchings and a book of Irish legends in hand-set type with wood engraving illustrations.

2002-2003 Cló Ceardlann na gCnoc Studio
Na Doirí Beaga, Co. Dhún na nGall, Ireland
Collaborating with Ian Joyce on “Watershed”, a commissioned print installation for the Clinton International
Peace Centre, Enniskillen, Northern Ireland; and “The Falling Upward of Things”, a sculpture/video performance for
the 2002 Belfast Festival.





2015 AOK Solo Exhibition Award

2012 Berlin Artists’ Association Studio Grant
2004 Donegal County Council Residency Grant (Ireland)
2003 Údaras na Gaeltachta Exhibition Costs Grant (Ireland)
2002 Sheila H. Mackay Foundation Project Grant (Canada)
1999 Tamarind Institute Entrance Scholarship (U.S.A.)
1997 Curve Magazine Design Competition (U.S.A.)
1990 Concordia University Entrance Scholarship (Canada)
1989 Ontario Scholar Scholarship (Canada)
1989 Art Gallery of Ontario/Shell Oil Printmaking Scholarship (Canada)



Public and Corporate Collections

Allied Irish Bank (AIB) Group (Ireland)
Clinton International Peace Centre (UK)
Concordia University (Canada)
Seacourt Print Workshop (UK)
University of New Mexico (U.S.A.)




Publications and Press


“Sarah Dudley lässt die Steine flüstern” by Sabine Rempe, Nürnberger Zeitung, 01.09.2014
“A hypnotic video of a rare art form” Short film by Adam Proctor for BBC Culture, 12.2016
“Experimentation with the Senses”, Printmaking Today, Vol. 23 No. 1, Spring 2014
“Sarah Dudley und Keystone Editions”, MDE Rundbrief 2014.1, Spring 2014
“Lithografie ist immer lebendig”, by Uwe Baumann, Um:Druck Magazine (Vienna), 05.2013
“slow culture” by Anna Pataczek, inforadio rbb, (Berlin/Brandenburg) 05.08.2010
“Slow Food der Kunst” by Anna Pataczek, Der Tagesspiegel, 01.06.2010
“Steinreiches Handwerk” by Sarah Heppekausen, Westdeutsche Allgemeine Zeitung, 12.04.2008
“1. Europäische Lithografietage” CULTOR Magazine (Munich), Summer, 2005